Posts in Fringe2012:
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I, Tommy
By Rory Edgington | 21 September 2012 | Leave a Comment?




Though slightly forgettable, I, Tommy is current, trenchant and at times very funny.
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Minotaur
By Rory Edgington | 21 September 2012 | Leave a Comment?




Minotaur is a finely directed minimalist piece, straddling both the traditional and modern in its concept.
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Mies Julie
By Rory Edgington | 21 September 2012 | Leave a Comment?




The chemistry between Bongile Mantsai and Hilda Cronje is torrid, creating a perspiration drenched eroticism
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And the Girls in Their Sunday Dresses
By Rory Edgington | 21 September 2012 | Leave a Comment?




Hlengiwe Lushaba and Lesego Motsepe have a brilliant comic chemistry, riffing off the polarities between their characters.
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Interview: Lee Gershuny
Artistic Director Lee Gershuny speaks about her company’s new twist on the classic Minotaur tale, taking on the media and the world of power.
By Neil McEwan | 12 September 2012 | Leave a Comment?
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The Blind
By Neil McEwan | 6 September 2012 | Leave a Comment?




The Blind is theatre as experience and if you’ve got the stomach for it, it’s one you’re unlikely to forget.
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David et Jonathas
By Neil McEwan | 6 September 2012 | Leave a Comment?




A lost opportunity to do justice to the work of a lesser known, if not forgotten, musical master.
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Lost in the 80s
By Julie Dawson | 6 September 2012 | Leave a Comment?




Django Reinhardt meets Jon Bon Jovi in a witty mash-up of gypsy jazz and pop standards.
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4.48 Psychosis
By Rory Edgington | 6 September 2012 | Leave a Comment?




Sarah Kane’s swan song is darkly beautiful and still as harrowing as ever.
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The Erpingham Camp
By Rory Edgington | 6 September 2012 | Leave a Comment?




Almost five decades on, Fourth Monkey demonstrate that The Erpingham Camp has lost none of its resonance.


